a ISBN 978-03-00121315 (hbk.-)

a ISBN 0-300-121318 (hbk.-)

a Original cataloging agency NEU GrandLibrary

a Classification number NX180.S6

b Item number B47 2010

a Dewey Classification 973.04

a Dewey Classification 973.04

a Personal name Berger, Maurice,

d Dates associated with a name 1956-

a Title For all the world to see :

b Remainder of title visual culture and the struggle for civil rights /

c Statement of responsibility, etc Maurice Berger ; foreword by Thulani Davis.

h Medium BOOK

a Place of publication, distribution, etc New Haven :

b Name of publisher, distributor, etc Yale University Press,

c Date of publication, distribution, etc 2010.

a Extent xv, 207 p. :

b Other physical details ill. (some col.) ;

c Dimensions 26 cm.

a General note "In collaboration with: Center for Art, Design and Visual Culture, University of Maryland Baltimore County, National Museum of African American History and Culture, Smithsonian Institution, Washington, D.C."

a General note Related exhibition held at the International Center of Photography, New York, May 21-Sept. 12, 2010.

a Bibliography, etc Includes bibliographical references and index.

a Formatted contents note Introduction: weapons of choice -- It keeps on rollin' along: the status quo -- The new "new Negro": the culture of positive images -- Plates -- "Let the world see what I've seen": evidence and persuasion -- Guess who's coming to dinner: broadcasting race -- Epilogue: in our lives we are whole: the pictures of everyday life.

a Summary, etc In 1955, shortly after Emmett Till was murdered by white supremacists in Mississippi, his grieving mother distributed to the press a gruesome photograph of his mutilated corpse. Asked why she would do this, she explained that by witnessing with their own eyes the brutality of segregation and racism, Americans would be more likely to support the cause of racial justice. "Let the world see what I've seen," was her reply. The publication of the photograph inspired a generation of activists to join the civil rights movement. Despite this extraordinary episode, the story of visual culture's role in the modern civil rights movement is rarely included in its history. This is the first comprehensive examination of the ways images mattered in the struggle, and it investigates a broad range of media including photography, television, film, magazines, newspapers, and advertising. These images were ever present and diverse: the startling footage of southern white aggression and black suffering that appeared night after night on television news programs; the photographs of black achievers and martyrs in Negro periodicals; the humble snapshot, no less powerful in its ability to edify and motivate. In each case, the war against racism was waged through pictures, millions of points of light, millions of potent weapons that forever changed a nation. This book allows us to see and understand the crucial role that visual culture played in forever changing a nation.

a Topical term or geographic name as entry element Race relations

a Topical term or geographic name as entry element Art and race

a Topical term or geographic name as entry element Civil rights movements

a Topical term or geographic name as entry element Civil rights movements

a Topical term or geographic name as entry element African Americans in art

a Topical term or geographic name as entry element African Americans in mass media

a Topical term or geographic name as entry element Mass media